
The clients began working with Woodhull before purchasing the property, walking the site together to understand how a home might sit within it. From the beginning, they envisioned a house that felt suspended in the trees. They wanted to be immersed in nature without interrupting it, with clear views of the water below.








Project Details
DESIGN TEAM
David Morris
Josh Jacques
Lydia Mather
BUILD TEAM
Coleman Motley
Ted Graham
Steve Frens
Flemming Overgaard
Dana Cinq-Mars
Sean Gallagher
LOCATION
Westport Island, ME
PHOTOGRAPHY
Trent Bell Photography
SERVICES
Letting the site lead.
Early concepts placed Light House at a dramatic drop toward the shoreline, supported on steel posts to preserve the terrain. As the project evolved, budget and constructability led to the decision to set the house back from the edge. That move ultimately improved the experience, creating a lawn before the trees and lifting the home into the canopy. A strong visual axis, from the bridge that leads to the entryway and through the house to the ocean, organizes the layout and pulls you through the home toward the view.
Light, structure, and rhythm.
A double-height living room with a wraparound balcony shapes the interior, supported by floor-to-ceiling windows that bring in light and frame the surrounding forest. Horizontal exterior bands unify the siding, creating a continuous rhythm across the home’s exterior. Recessed siding planes add texture and shadow, while dark green window frames reflect the landscape. Inside, glass meets the floor, making the view the primary feature.
Balanced connection.
The interior balances openness with connection. The living room acts as a central hub, visually linked to every major space. It’s ideal for entertaining and everyday life, and thoughtful layouts and storage reflect the clients’ highly organized approach to living. Light House is a home that feels both traditional and contemporary, present without imposing. It’s settled into the landscape in a way that feels natural and intentional.






